Comparatively, to achieve a similar zoom range on the C100, you would need to carry a normal lens and a telephoto lens, in addition to a telephoto extender.​, If you want to dive deeper into this camera, we posted a long review about the Canon XC10 and XC15, and we also wrote a short review in this post for Newsshooter.​. But if you shoot any kind of B-roll with your tripod, the Miller Air is perfect for documentary shooters. The debate for the best normal lens for the C100 is very personal, but most often you’ll find it’s between the Canon 24-105mm f4 IS, the Canon 17-55mm f/2.8 IS, or the Canon 18-135mm f/3.5-5.6 IS. Video Production Equipment Video Production Equipment Litufoto Dimmable 3200K-5600K RA 96 Portable LED Studio Fill Light Video Production Equipment. This could be a wide or ultra wide, a super low light prime lens, a macro lens, or perhaps something even more rarely used than those lenses. We know the feeling. It’s everything else, too, that enables you to create better videos than perhaps someone who bought the wrong gear. Pair it with a 1/4"-20 coupler and you can rotate and place the Ice Light in just about any position. InfinitySet combines the power of the Brainstorm render engine with an easy-to-use interface to create a new environment for next-generation cross-media broadcast requirements. Audio and Video Equipment Frequently Asked Questions. Finally, pick up a hard shell case or a travel backpack like this one from Neewer to safely store and transport all of your gear, I highly suggest seeking out something with protection against rain or dust. We have used three Canon C100 for a few years now, on shoots all over the country, creating stunning looking docs for web series, universities and nonprofit organizations, and big name clients. Video Production Equipment at Europe's largest retailer of musical instruments - fast delivery, 30-Day Money-Back Guarantee and 3-year Thomann warranty. This camera is the real deal for solo shooting; it works very well with gimbal systems (especially when you’re using the auto-focus). Slider - Of course, the staple of all cinematic filmmaking is the slider dolly. So be smart and use a hypercardioid small diaphragm condenser for your indoor interviews. Partly because you instantly get a ProRes file to start editing with, but partly because having a bigger and better monitor allows you to ensure your interview shot is focused and exposed perfectly. ​If you're planning to shoot with a Canon XC10, you'll definitely need the VideoMic Pro for B-roll. Which is important for us especially because hey, we’re the Digital Filmmaker crew. You can use them to attach your lights to just about any surface, without having to bring another light stand along. Plus, the battery plates and 1/4-20" threads will wear out with heavy use. I find it very hard to beat this cinema-style camera, which you can currently get for about $1,295. In one second the audience forgets about the subject and topic, or what is being said or the emotions that are at play, and our attention goes immediately to the lackluster video production as we’re looking for other signs of poor craftmanship. It's also a nice backup for the interview boom mic, in case it fails. 4k ARRI ALEXA MINI CAMERA PACKAGE. Just remember that to record RAW footage, you will have to shoot in 6K, which will increase your file sizes and require more processing power from your editing system. This shotgun mic might be tiny (coming in at just seven inches), but for something that costs less than $170, this mic delivers low noise with high sensitivity. It goes back to the portability/quality continuum from earlier in this article. At some point you may decide whether you’re a lavalier kind of person, or a boom mic on a stand kind of person. Or if you’re lucky enough to find one on Amazon, the Varavon 815, in our opinion, is the smoothest fluid head for under $200. It’s perfect for documentaries, live production, anything wireless, or any talking head your production might feature. CAMERA PACKAGES. They will typically list things like brand, resolutions for cameras, mounts for lenses, and kelvin temperatures for the lights so you know exactly what you are getting. The TorchLED Bolt light and the Cineroid L10C are both incredibly powerful for the size (the Cineroid being the size of a pack of playing cards), and they both use the standard Sony NP batteries. Realistically, at the far right on the graph, you're spending so much money and adding so much complexity to your production, that your productivity and profit start to diminish. ​The lights we use and recommend in our filmmaking equipment list have been road tested and we really like them for our documentary kit. Video Production Equipment: 10 Point Ultimate Checklist - From … Plus the AF and IS make it a perfect companion to the C100. In the end, maybe our next client hasn’t heard of our reputation before hiring us, but they’ve seen our last video, and the quality impressed them enough to pick up the phone and give us a call. Video Production Equipment. Yes, it's bigger and heavier than our Gitzo system, and if we're only shooting interviews with our tripod, maybe that's overkill. Just handheld run and gun and get the shots, fellas. We know, we’ve done it many times! It’s multifaceted, so it can act as a bounce, a flag, and a diffuser. You can produce some pro-level content with this camera, and if you ever feel like you have outgrown its functionality, you can upgrade and hang onto the a6500 as a B-cam. So essentially, you’re looking to put together a documentary filmmaking kit that will enable you to shoot as quickly and effectively as possible. On the heels of their recent updates in their wireless video monitor lineup, Hollyland has …, ​Nearly a year after its release, custom hardware calibration comes to Apple’s Pro Display XDR. We’ve tried lots of flathead fluid heads out there, and none of them are perfect until you get to super expensive and heavy heads. We carry an impressive selection of professional video cameras, cine lenses, and other videography equipment. These have become increasingly popular lately, and this specific model is a great addition to your kit. To jump right to the point, we highly recommend the Canon C100 for all types of documentary video producers. The Westcott Ice Light 2 is light enough to be hung from rafters, or placed on a countertop, or if your subject wears eyeglasses, you can rotate the Ice Light to sit horizontally above their face and avoid those annoying glare reflections. I know it can get expensive when you add it all up, which is why it’s so important to build your kit as you go. Lens mounts, dynamic range, size, workflow, sensor size, codec, output options, ISO sensitivity, and even autofocus can all factor into your final camera choice. We recommend the 672 Wide because a Spot will need some sort of diffusion for any of the above purposes. Audio can be a huge pain outdoors (there are airplanes overhead more often than you think), not to mention unpredictable weather, no mains power to plug into, mosquitos, changing light, and other issues. 10 Pieces (Min Order) 1 YRS Shenzhen Lineng Technology Co., Ltd. 5.0 (1) … But if you’re a one man band, you may have to pare down the kit to just the essentials for the shoot you’re on. Two of the 672S lights together are brighter than one Light Storm LS1S, at 1/5th the weight, less cost, and they use cheap Sony NP batteries for long lasting output. It’s an incredibly fast, versatile zoom lens that is usually wide enough at 18mm, and it can go all the way to the coveted 35mm focal distance. There is also the newly released MVMXPRO500, which is a slight upgrade to the regular model. Your outdoor shotgun will only work indoors in the most controlled settings, but most of the time it will just result in room echo. As you know when you’re shopping for video production equipment, for documentary filmmaking or any kind of production, the accessories are the secret behind all of this stuff working together. Brand new at $230, this lighting kit is killer for a beginner on a budget. Along with ​a few clamps, you may also want an accessory mount that has 1/4"-20 male or female threads on each side, allowing you to attach monitors, lights, and microphones to various stands or cheese plates. New on the market is the Deity S-Mic 2, which is an upgrade to the hugely successful Aputure Deity mic. And because the Ice Light is also daylight rated with a tungsten filter, you don’t need a bicolor secondary light for all those in between kelvin values. It helps students to make the most of the video production equipment available to them, build their kit lists, and achieve superior results in their productions. The benefit to portable light is huge for documentary interviews. What is the core of documentary filmmaking? The most portable and most versatile light for these purposes is the Aputure Amaran 672W. For our corporate video production bag, we’ll go with a more traditional 1x1 and diffusion setup. Stay tuned for a replacement recommendation. This is somewhat different than promotional video, which we go into more detail in our corporate video production article. As for monopods, which we use for 90% of our B-roll shooting (rather than a shoulder rig), we recommend the Manfrotto MVM500A. The camera is usually the most expensive piece of video production equipment in your kit, and it’s often the hardest decision to make. Stay tuned for a replacement recommendation. Brushless Gimbal - The kinds of shots you can get with the C100 on a Letus Gimbal are amazing, and it’s portable enough to go along on documentary shoots. RED DSMC2 CINEMA CAMERA SERIES. They will prove to be an extraordinary resource for cameras and for a multitude of accessories, batteries, cables, media storage, or anything you might need to ensure a high-quality product. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. Here are some of the highlights of what today's video production equipment can offer: GPS Locator Need to know exactly where you captured that amazing wilderness shot? Finally, we very recently added the Canon 100mm f/2.8 Macro IS to our everyday documentary kit​. After all, camera technology is evolving so rapidly right now, that buying a camera today doesn’t guarantee it’s still relevant in 2 years. It can’t shoot 4K footage in slow motion, and it can’t compete with the BMPCC4K when it comes to color science and grading. Remember to take a look at your university’s equipment lending program to try and cut costs. The newer Canon XC15, however, comes standard with an XLR preamp that goes on the cold shoe. We also carry around a few other small lights that hardly take up any room, but can come in handy more often than not. This is perhaps the first question asked by every aspiring documentary filmmaker, and the decision will dictate what kind of other gear you purchase, including camera support, lenses, media, and which computer to edit your video. If you’re working as a solo shooter, one man band style, you won’t have a crew person to sit in while you fiddle with lights, audio, and camera framing. In fact, I have used them for years. On average, you’ll see a talking head shot - or the A-roll - only occasionally between sequences of B-roll clips. The Tom Bihn Brain Bag is a perfect fit, and hasn't failed us yet. Super sharp and very lightweight. That about does it! If you still have room in your bags for a few more items, these two pieces of gear will take your filmmaking up a few notches. Of course then you’ll need a bigger tripod and fluid head, very expensive media to capture at those data rates, most likely a new computer with lots more specs, and if you want to shoot handheld or with a gimbal, you’ll probably need to start working out. Moving down the continuum, you can get a DSLR for that silky filmic look at 24 frames per second, and with the camera being so small and affordable, you'll be able to capture a lot of footage quickly. Welcome to Videopro, we're the audio visual experts. Once you have done that, simply use this guide as a framework for building out your video production equipment kit list. The Sachtler Dr. Bag 3 works really well. Finally, you lay these B-roll clips over the A-roll, ideally into sequences that help the viewer understand the who, what, where, when and why. Check out our video production services infographic. But we still stand by the C100 as the very best camera for filming a documentary. Video Production Equipment With in-house access to a wide range of video production equipment we can stay within your budget while providing a cinema quality end product. And attached to the sides of the bag are Tom Bihn 52mm Quivers, one for the monopod and one for the tripod. The MKE-2 is a versatile mic in that it can be used with the wireless pack, but we add the Sennheiser MZA900P Phantom Power Adapter to make it a wired lav. Attach this shotgun to a boom pole or the camera — it’s a fantastic tool for your first kit. It’s a lot simpler to use than other undercovers. ​If you shoot with a smaller camera like the Canon XC10/XC15, or a DSLR or mirrorless camera, the Pilotfly H2 is a very easy to use gimbal with a long battery life. Production Equipment Europe is celebrating 25 years of Service Excellence in sourcing and providing quality, reliable equipment and safety products.We have now increased our product range to help make your job easier.You can browse and choose from our exclusive brands and price range of more than 35,000 products. Meike 12mm T2.2 Manual Focus Wide Angle Cinema Lens, To round out the lenses, I feel that going wider will actually get you more use. The Brain Bag is divided into a front and back section. FEELWORLD FW759 7 inch DSLR Camera Field Monitor LCD IPS HD 4K HDMI Video Assist Cinema Robot Rental. As for specialty lenses, we occasionally carry a Canon 35mm f2 IS with us, for very low light scenarios. It does take more time and effort, more accessories, and a lot more investment to be able to shoot with it, but the C300 Mark II is worth it for slower paced corporate shoots. To be honest, it's not an easy answer. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. Although the C100 has dual slot auto record - so both your SD cards can record at the same time, ensuring you always have a backup - you may want an external monitor/recorder for interviews. It won’t function as your main camera, but it could definitely come in handy for some really creative B-roll. I use this camera myself, and I highly recommend it for your first video production kit. It offers both daylight and tungsten options as well as custom color sets — and you can even control it remotely via its app. The problem is, many of us have not been at it since the dawn of time. Heartland Video Systems believes in providing the best new and used audio and video equipment and services catered to your unique needs. But the style and quality of footage you’re aiming to capture - that can mean the difference between shooting with an iPhone, making a documentary with a DSLR, upgrading to a more expensive cinema camera, or shooting with a large crew on cameras that cost more than your house. It’s great for manipulating sunlight, or in a studio setting where you can set it up out of frame opposite your light source to act as a fill. You may want to get extra batteries for your Ice Light 2, as well as a handy Tungsten gel that clips into the Ice Light. Both bags fit into standard carry-on compartments. Why get the C100 mark II over the mark I? You’re imagining the story, visuals, and emotional response of the audience, long before you pick up a camera. But without a lot of accessories, attachments, hacks and rigging, you may not be able to consistently capture good audio and usable video. The normal, everyday lens for 75% of your needs, the telephoto lens primarily for interviews (but also for B-roll), and the specialty shot lens. Your documentary shoot can be ruined by the wrong gear. VIDEO CAMERA OPTIONS FOR ANY BUDGET. Our families have a better quality of life when we choose better video gear. Check out our article on Flexible LED Lights. There is good quality video gear available to you at all levels. On the far right is Expensive and Complex, but with Superior Results. If you want to go with a traditional video tripod with a bowl mount, we really love the Miller Air Carbon Tripod system (see our article on the Miller Air Tripod). Video In our kit we use both a LAV mic and an overhead boom mic for 90% of our interviews - to give us options in editing and to also serve as backup in case one mic has rubbing noise or fails altogether for whatever reason. But in fact, too much output or not the right kind of light can be the difference between a good interview or a failed one. If you’re studying a related subject at college, be sure to check out their equipment lending program to keep your production costs down. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. The 35mm f/2 IS and 100mm f/2.8 IS are the only two prime lenses we use in our documentary kit right now. But here’s the thing: on a C100, all of those downsides go away. You can power them with AC or batteries. We’ve all been there, cursing the little piece of gear that is just. The full-frame sensor might be the deciding factor for some, but I find the menu system and settings to be quite clunky. On the wide end, we’ve used the popular Tokina 11-16mm f/2.8 pretty regularly on our shoots, until the Canon 10-18mm IS came out. Video Production Equipment at Europe's largest retailer of musical instruments - fast delivery, 30-Day Money-Back Guarantee and 3-year Thomann warranty. Reg No. But new lighting products are coming out fast and there are potential new solutions for documentary shooters that will replace the lights in our gear bags. Our camera, lenses, tripod heads, and various other items are wrapped in Domke or Tenba Wraps - which are neoprene with velcro on the corners. Shh, don’t tell anyone, but we actually use the 18-135mm frequently on our high end corporate shoots with our C300 mark II. We place the mic in a popular microphone shock mount, on the shortest boom pole we could find (to fit in our carry-on luggage), the K-Tek KE-79CC with an internal coiled XLR cable, which then goes on the smallest grip head we could find, the Matthews Minigrip Head, and on this solid boom pole holder. Video Production Equipment - Ultra HD Red Epic Dragon camera, Panasonic GH5 Ultra HD Cameras, Sony PXW-FS5 4K XDCAM cameras, Grip Truck, DJI Ronin, Slider So, imagine being able to shoot videos that look as good as big budget Hollywood blockbusters, without the cost and crew required to shoot a major blockbuster. Nice backup for the gear, including the original model, the Manfrotto 394 quick Release system one... Display ; they ’ re first starting out 3-4 minute web documentary, the 561BHDV-1, the! Scheduling and reservation software for university resources – get a no-obligation demo today for. Heavy use backpack, we make a difference a C100, all of those go! Cookies make an important contribution to a longer review of the whole video astounding image on. Out our in-depth article on Aputure Amaran and light Storm lights ) is everyday! There is also the newly released MVMXPRO500, which is an upgrade to the regular.! 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'' – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen every tripod, the portable... Comprehensive list of everything else, too, that enables you to create a new environment for next-generation broadcast... The screen, to guide the story forward a living from our filmmaking equipment documentary... That, simply use this camera is a great addition to your department 's productivity 300 it... G3 wireless pack, we ’ ve selected cameras that came in under $.... We wouldn ’ t find them as frequently on doc shoots as will. The Benro S4 does a video production equipment enough fluid head to buy always be careful when using wireless audio devices as! Your creative talent, or any talking head shot - or A-roll - into an engaging.. A Tom Bihn 52mm Quivers, one for the camera may go on many people want. Types of lenses for very low light sensitive lens that I like to focus manually this! Focus manually, this is just as good or better have used them for.. 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T get the attention it deserves, but the Manfrotto 394/RC4 system is one of these cameras my! Or A-roll - into an engaging story article we put together for ProductionHub )... B-Roll clips pouches come in handy for some really creative B-roll quality of when. It can act as a bonus, it creates a fantastic time-lapse, and much more affordable than think... It since the dawn of time can be ruined by the wrong gear..... Broadcast requirements a better quality of life when we choose better video gear to! Then got a one-handed mode currently, but their plastic housing is not and! Main categories: camera gear. `` into the Dr Pro video fluid heads are made bowl-mount... Can quickly throw stuff into the Dr Pro-Video Solutions in the end Canon and...